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Behind The Screens

by Jon Waterman
Volume 1, Issue 2
Volume 1, Issue 1
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FILMBRATS - REVIEWS

Wedding Crashers (***1/2)
review by Jon Waterman

By day, John and Jeremy are two divorce mediators. They make their living off of other people’s misfortune and troubles. On the other side of it, they also reap the benefits of couples’ happiness and good intentions. They crash weddings. Equipped with fake names and an emotionally charged backstory, they invite themselves to every wedding during the busy season in order to hook up with some single bridesmaids. On the last wedding of the season, the duo might just have to pull some overtime in order to win their prize, but will it be worth all the trouble?

This is the movie I wanted “Meet the Parents” to be. You have the similar situation of a guy meeting the family for the first time, with an eccentric cast of characters all around them. What this movie does different is that it puts all that madcap activity and tones it down into a more believable and (more importantly) a much, much less predictable progression. There’s also no real pity for the protagonists here, because they aren’t so innocent themselves, where as “Parents” made me want to scream when the lead character didn’t defend himself or allow an explanation to be heard.

I’d also like to commend the writers Steve Faber and Bob Fisher (in their feature debuts) for rarely going for the obvious joke. The movie is set in Washington DC. The last wedding they crash is that of an important politician’s daughter and some dude. How many political jokes will you find in the film? None. There’s no hidden agenda. There’s no left or right wing bashing. There’s no topical humor of any kind. Avoiding those easy, potentially lame jokes gives this film a greater chance of becoming timeless (if the public so wishes).

But I don’t think all the credit for making this film so funny belongs to the scriptwriters. Owen Wilson (John) and Vince Vaughn (Jeremy) play off each other very well and probably improvise quite a bit of the dialogue. Their very natural sounding interchanges, and not the more physical or situational jokes, count for the majority of the good laughs. These characters are so strange and occasionally random, yet oddly familiar and relatable (even if you don’t have anything in common with them). It’s hard not to get caught up with them.

The buddy system carries this movie, but at one point it loses it breath. The movie is just about two hours long, and so a little bit of down time is expected. However, here they take about a twenty-minute break to further the storyline and pull us out of the friend dynamic that makes the film so fun. But even with that lag, this is still probably going to end up being the funniest comedy of the year. It’s smart, (mostly) rapid-fire, and incredibly entertaining. Who wouldn’t want to crash a party like that?

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