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Behind The Screens

by Jon Waterman
Volume 1, Issue 2
Volume 1, Issue 1
Special Features
D-VHS
Digital Projectction vs. 35mm
Multiple DVD Releases

FILMBRATS - REVIEWS

Total Recall (****)
review by Jon Waterman

For some reason, Douglas Quaid has always been fascinated by the planet Mars. He has dreams about it and he really wants to take a vacation there, even though it’s commonly known to be the cesspool of the universe. His wife has no interest in going to a place like that, and so Quaid is essentially stuck. That is, until he decides to take a virtual vacation. Rekall, Inc. promises to deliver a memory into his brain that will create a completely realistic vacation. Quaid chooses to add a little excitement with his package by inserting a secret agent angle into the trip. Before he’s able to get strapped down into the machine, something goes wrong and he has to fight his way out of Rekall. People are out to kill him and so now he’s off to Mars to find out why and also to find out who he really is.

The beauty of this film isn’t that you don’t know what’s real and what’s not; if it’s part of the implanted memory or if Quaid actually happens to be a secret agent, but rather that it’s so fun that it doesn’t matter. Even so, the writers Ronald Shusett & Dan O’Bannon and Gary Goldman do a great job of keeping the ambiguity flowing throughout. It’d be very easy to assume that it’s all just part of the planned vacation that Quaid set up for himself if it weren’t for the fact that there are several scenes in the movie that don’t directly follow our hero. If it were really all in his head, that wouldn’t be part of the fantasy. We wouldn’t see anything that he couldn’t see and personally “remember.” They also do well to avoid overrunning the dialogue with time references or stupid little quips about reality/fiction. It would be easy to throw stupid little lines like that in there pretending to be clever, but they make it more intelligent by keeping all mentions limited to conversations that directly affected the plot. And the plot is very solid, keeping the twists and turns coming without seeming over the top or forced.

The special effects are also very solid. Rob Bottin and his crew have created some of the most memorable SFX moments in modern film history. Amongst the instant classics sure to impress adults and adolescent boys alike are the bulging eyes, the human X-Ray airport security system, and Quaid’s woman costume with the talking exploding head. You’re watching sci-fi action movie gold, my friend.

Everything just seems to work in this adaptation of Philip K. Dick’s short story “We Can Remember It for You Wholesale.” If I had one complaint, and I do, it would be that the cinematography is lacking depth and atmosphere. Sure there’s a nice contrast between the abundance of red in the Mars backgrounds and locations and the sterile futuristic environments found everywhere else. However, the movie is simply way too light. I think the story lends itself to working with shadows, especially since Quaid (as well as the audience) is left in the dark the whole time. We shouldn’t be able to see absolutely every single corner of each set at all times.

Despite that one little minor hitch, “Total Recall” turns out to be a total blast. It can be hard to find a truly immersive, enjoyable science fiction movie that delivers an original worthwhile, unpredictable story. Even if the story doesn’t grab you for whatever reason, the action element of it will win a lot of people over. The acting may not be the best, but honestly everything else, especially the special effects make up for it and make this one to remember.

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