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Behind The Screens

by Jon Waterman
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FILMBRATS - REVIEWS

Testosterone (2005) (**)
review by Jon Waterman

While on military leave, Petros heads to the small island where he spent part of his youth in order to pick up the car left by his grandfather. He wants to quickly get it and go so he can hop on the boat and head off to a nice hedonistic town with the hopes of scoring with scores of hot young women. Well, the car doesn’t quite work and he gets stranded on the island longer than he wants. What he discovers however, is that he’s the only man on the island and the women want to fulfill his lustful fantasies. Petros finds himself in way over his head. Can he find a way to leave the island? Will he even want to?

The answer to that second question is yes, and a big reason as to why this movie really fails. I can understand how having absolutely every woman on the island try to get you in bed would be a major problem and would make anyone want to get away. There are a lot of uggos in the world, and Petros seems like a “no fatties” kind of guy, too. But even in the beginning, he’s trying to escape. That I don’t understand. His whole purpose is to get the car and leave to a place where he can have sex with hot girls. Here, he’s stuck with his relatives and happens to have sex with hot girls, but he’s still trying desperately to get away. It’s not like he’s savoring it or thinking about staying there to hop between the women he’s already had and knows he can get again. Instead, he’s doing everything within his power to leave right from the get go.

The film gets a little repetitive, since virtually the whole movie is seeing different women try to fill their insatiable desires. It doesn’t take long to realize that every conversation and encounter is going to turn out the same way. I do like that as time goes on the situations become more and more surreal. At one point there’s even a scene involving a mermaid. It eventually regresses to the level of a John Waters situation, but with much better cinematography. I wish the movie would have found this rhythm and tone much earlier. I also wish the ending wasn’t so horrible.

I saw this with a pretty full crowd; probably half of them spoke the film’s native language of Greek. They were laughing pretty hard, but I thought the jokes were either basic, predictable, or not actually a joke. Maybe something got lost in the translation. Maybe a lot did. So, if you’re fluent in Greek, then this could be a good movie for you. However, for the rest of us, what looks to be a strong promising premise just doesn’t quite have the stamina or the moves to leave us satisfied.

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