Shoot
the Messenger (1/2
star)
review by Jon
Waterman
After attending a city hall summit meeting, Joe quits his
high-paying IT job so that he can become a teacher. Determined
to help the inner city youth, he attempts to reach out and
be one of the inspirational black leaders they need. He doesn’t
take any crap from his trouble making students and tries to
force them to take more responsibility for their actions and
their schoolwork. His methods are punished however when an
accusation of assault from his most adversarial pupil causes
him to lose his job and causes the community to call him a
racist against his own people. Joe quickly finds himself quickly
spiraling into insanity, believing that his skin color is a
curse. Can he figure out how to find redeeming qualities in
the black community (and himself) in order to regain sanity
and control of his life?
I know the movie has good intentions, but I can’t help
but think that it will do more to perpetuate racism than to
stop it. No matter what, it should get you talking, and it’s
for that reason, and only that reason, that the script by Sharon
Foster is good. There are definitely some bigoted racist remarks
strewn in various places throughout the picture, and although
it seems like they’re trying to get you to laugh at the
ridiculousness of the statements, I don’t think the humor
always comes across. The movie is comical, but not over the
top enough. I really couldn’t tell if the audience was
laughing because the characters were racist, or if they themselves
thought the words rang true. Anyone with a closed mind or pre-conceived
racist notions will simply see this as a validation of their
beliefs. That’s a big problem.
So, the script is nice and adult and at least attempts to
tackle the issues hard. But the filmmaking is very childish.
The whole thing plays very much like a made for TV after school
special. The music is way too playful and strange. The cinematography
is shoddy at best. And Joe talks to the camera Zach Morris
style (which they sort of explain a little later on, but it
still doesn’t make it good). I know the picture wasn’t
trying to take itself too seriously, but if they’re trying
to convey messages of profound societal importance they need
to do better than this. They made a mockery of themselves – plain
and simple.
But like I said, the script will get you thinking. Assume
you’re willing; it’ll get you to confront your
own notions not only about race, but also about guilt and placing
blame and maybe even religion. Besides that, the only barely
redeeming factor is really the acting. David Oyelowo (Joe)
does a really good job reacting, but when it comes to delivering
lines he was prone to overdoing it a little bit. That’s
pretty much the running theme of the movie.
respond to jon@filmbrats.com
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