9 Songs (1/2
star)
review by Jon
Waterman
Matt and Lisa meet at a concert and go home together. They
grow increasingly fond of each other and start off a relationship
filled with passionate, occasionally tawdry sex. Yet they don’t
deny their roots, and they still enjoy the wonderful atmosphere
and music that their local hot spot provides. But is there
more to life than music and screwing?
My answer to that question is: there should be. Unfortunately,
we’re not given anything more than that. There’s
no real insight into the minds of the characters. There’s
no chance for us as an audience to build a connection with
either of them. All we see is sex, song, sex, song, etc. I
bet you can guess how many times that cycle is repeated. That’s
not to say there isn’t dialogue. There is, but it’s
bad and not enough to flesh out these people past, well…their
flesh. You see, Matt is in love with the Antarctic for whatever
reason. I think his job involves going there. I don’t
know. They don’t explain ANYHING. But, anyways, they
throw in some shots of ice floes and glaciers and such and
we get to hear him chime in with his in depth thoughts on ice
and how it relates to humanity and whatever. It’s really
pathetically simplistic symbolism that bored me to tears. I’ll
top it all off by saying that any potential timeframe is completely
lost. The progression of their relationship is mostly implied
and ends up being confusing. Any part of interest simply is
left out.
It really seemed to me that the nine songs technique was really
just an excuse for writer/director Michael Winterbottom (“24
Hour Party People” and the “Wonderland” that
isn’t about John Holmes) to try to make artistic pornography.
The music comes from established bands that actually play this
large concert hall. You may have heard of some of them. But
the point is that the songs have absolutely nothing to do with
what little story we’re given, nor do they enhance the
emotional impact of any scene surrounding them. Switching between
the hardcore sex and the terribly shot concert footage is a
strange effect and feels like some High Schooler just made
some horrible mix tape he thought would be rad.
This movie is pornography. I can’t see any real artistic
justification for including these hardcore sex scenes in between
the live music videos. We’re given no clue as to what
in the relationship would suggest that our seeing private parts
are crucial. I don’t feel like I know them any better
because of it. I don’t have a greater understanding of
them. I just have seen everything there is to see.
The movie fails as an art film by making no attempt at sense,
statement, or real purpose. The movie fails at pornography
by not showing enough penetration, ejaculation, or range of
positions (if these people were really a couple for so long,
you’d think we’d see more variety and some more
nasty/kinky stuff than just being tied up. Explore, people!).
The only real upside to this extremely drab, boring, horribly
shot film is the potential for the future. Although, not used
effectively here, it’s easy to see that forthcoming films
could use hardcore action to bring the date movie to the next
level. The romantic comedy sucks most of the time already anyway.
Make a romantic drama, throw in a little insertion and such,
and give the adults a good date movie that they can use to
set the mood for the evening. Just don’t expect that
so much this time.
respond to jon@filmbrats.com
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