Madagascar (*1/2)
review by Jon
Waterman
It’s Marty the Zebra’s tenth birthday. All his
life he’s been cooped up in Central Park Zoo with his
animal pals. He’s starting to wonder what it might be
like to live out in the wild. So, because of this midlife crisis,
he ventures out into the city to find his way to the closest
thing to the wild he can find: Connecticut. His friends, a
sassy hippo, a hypochondriac giraffe and a superstar lion,
wake up to see that he’s left them and thus search after
him. Will any of them ever really find what they’re looking
for?
Dreamworks’ latest entry into the animation field really
fails to capture the same atmosphere or liveliness of movies
past. The big problem is that the story just isn’t there,
and neither are the jokes. Mark Burton, a relatively accomplished
British TV writer and Billy Frolick, who’s done virtually
nothing, wrote the dry, uninteresting script. This movie would
have been a lot better were it not for the main characters.
They really just bog the whole thing down with mindless exposition
and multiple failed joke attempts. Even though they are voiced
by funny men Ben Stiller (Alex the Lion) and Chris Rock (Marty
the Zebra), I doubt I laughed at anything they said. The only
worthwhile comedic moments come from the soldier/spy-like penguins
and their conquest to reach Antartica – which really
had the greatest potential to carry the movie – and the
Lemur clan, headed by King Julian (voiced by the talented Sacha
Baron Cohen of “Da Ali G Show”).
Computer animated films usually pride themselves on their
realism and attention to detail. “Madagascar,” however,
looks extremely cartoony. This isn’t necessarily a bad
thing, but it’s definitely off-putting. The characters
all move very rapidly and sometimes in impossible manners,
which makes the computer-generated movement too fast to be
fluid. The character designs were slightly verging on caricatures
of the animals as well, but because it’s only slightly,
it’s not as good. If they’re going to exaggerate
the animals to downplay the realism, then they should go all
the way with it. If you’re going to have cartoony movements
and scenarios, then go all the way with it. Don’t bother
so much with textures and lighting and meticulous details.
It all seemed phoned in to me. The only really well-done animated
sequence was when Alex was hit with the tranquilizer gun and
went into a brief psychedelic episode, however they ruined
that by repeating it for a bad joke just seconds later.
As a kids movie, it’ll probably keep the little ones
in their seats. They’ll find the little lemurs cute,
especially the sacrificial doe-eyed baby, and who knows, maybe
they’ll even be young enough to find some of the main
characters’ lame jokes funny. But any adults should probably
just drop the kids off and find something else to do, because
there’ll be very little you’ll find interesting
or entertaining. It’s just a typical kids flick, if not
less than, but the problem is we’ve come to expect a
lot more from them these days.
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