The Island (*)
review by Jon
Waterman
Lincoln Six Echo and Jordan Two Delta live each day like the
one before it. They get up, put on the same clothes, eat their
prepared meals, go to work, and watch the lottery. The lottery
is a system that chooses one lucky inhabitant of society to
move out of their enclosed colony and onto “The Island.” The
island is the only part of the world that has avoided contamination,
but space is limited. So, everyone stays in this ultra sterile,
supposedly utopian society until his or her time comes. Well,
as you can probably guess (especially if you’ve seen
ads for the film), there is no island. The people here are
all clones and are only there so their organs can be harvested.
Our heroes don’t like this idea so much, so they go out
into the real world searching for their real-life counterparts
in hopes that they will help.
Doesn’t that all sound exciting? No? Well, what if I
tell you there are all kinds of explosions and car chases and
gunplay and stuff? Still no? Well, trust your instincts. The
movie is severely flawed. Written by Caspian Tredwell-Owen
(“Beyond Borders”) and Alex Kurtzman & Roberto
Orci (TV’s “Alias,” “Legend of Zorro,” M:
I-3”), the script fails to really garner any reasonable
pace, excitement or interest. For starters, going in we already
know these people are clones, so why act like it’s some
big secret for the first half hour. It’s boring just
waiting for something to happen. There’s no point in
putting us in their shoes, when we already know what the real
world has in store for them and how an actual society would
react to their existence. Playing the film in this way ruins
any chance for suspense or for emotional connection with the
characters. And the dialogue is full of crappy clichés
and worthless exposition.
As bad as “The
Matrix” is with the whole philosophy
thing, it still does a better job than “The Island.” In
fact, most movies do a better job. You’ve seen all this
stuff before. This film is essentially a clip show of all kinds
of standard situations with a nice heaping glaze of dull. Here’s
what I think should have been done with the film. Split it
into two parts. The first is a straight-up comedy about what
it’s like to be a clone in a pre-established society,
where the climax/ending is that they break free into the real
world. The whole society breaks out. Hollywood would turn the
second film into a typical fish out of water thing where you
watch the funny stuff happen as they adapt to the real world.
Screw that. I want the second film to be about how society
adapts and reacts to this whole hoard of people suddenly appearing
and wanting to integrate into their world. Imagine what would
happen when clone meets real. I’m sure it’d be
much better than what we’re exposed to in this film – the
standard fighting so the bad guy doesn’t know which is
which crap.
Avoid this film. It’s pure schlock, and it’s not
even fun schlock. The action is actually pretty good and the
car chases are amazing, but that’s really all it has
going for it. Who wants to sit through 136 minutes of drudge
just for some great highway action? Might as well watch “The
French Connection” or “Ronin” instead (and
actually “Matrix
Reloaded” has pretty comparable
explosions, even if that chase isn’t as thrilling). Hell,
watch anything else instead. After all, this movie is just
a clone of every other action flick.
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