I, Robot (***)
review by Jon
Waterman
In the future, robots will assist humans with daily life.
They’ll start handling all the jobs that we don’t
want to do. They’ll be ruled by three laws that force
them to do everything in their power to keep humans safe. But,
what if something goes wrong in the programming? What if one
of the robots could ignore the three laws? What if one of those
robots murdered its creator? With everyone in the world saying
it’s impossible, one man must investigate this crime
and prove them wrong.
The film takes place in the year 2035. So, that means in just
31 years, they’ll have completely restructured society
to accommodate super high speed, self-driving cars, scanning
security systems, overabundance of robot workers, etc. They
better get started now. Why not set the movie in some year
not in our lifetimes? We’d still believe it. If the only
reason it’s set in 2035 is because the book was, then
they really should have changed it. Virtually nothing is the
same as the book.
Those expecting a faithful adaptation of Isaac Asimov’s
story collection of the same name will be sorely disappointed.
The only things that remain are a couple of character names,
the title and the three laws of robotics. Detective Spooner,
the lead role (played by Will Smith) is nowhere to be found
in the book, nor is this storyline. But despite all of this,
(the movie is just “suggested by” the book) writers
Jeff Vintar and Akiva Goldsman stay true to the spirit of Asimov.
Nothing is as it seems and the ending is something of a surprise,
although probably not as hidden as Isaac would like. They even
inject humor in much the same way (a lot of it failed). The
only thing that really differs is that Asimov tends to use
the minimum amount of characters to tell the story. Here we
have largely insignificant people like Spooner’s grandmother
and this kid named Farber who shows up twice for no real good
reason. I also could have done without the divorce story line
that really amounted to nothing.
Also seemingly unneeded are the dizzying shots that circle
around certain actions. It seems like they’re just showing
off. Nothing on screen indicates a need for such hurricane-like
camera work and I found it distracting. Most of it worked.
The action was pretty clear cut and showed the battles between
man and machine pretty clearly. However, I still don’t
like the CG. Very early on, you can tell that nothing in the
city was actually in the same room as Will Smith during shooting.
It was a bad composite job. The robots look like everything
else that’s computer generated. The main robot has some
good subtle expressions going for it, but overall is still
not my thing. Is there anything else they could have done to
fix this? Redesign the robots so that people could fit inside.
Film a few, copy and paste them into the army needed and there
you go. It would look a lot better. The acting isn’t
all that great either. Smith gives the best performance, which
is all I’ll say about all that.
Overall, the movie is still a good one. It lacks the atmosphere
of a “Blade Runner” but still has plenty of mystery
and action to keep it entertaining and interesting throughout.
It may not directly follow Asimov’s tale, but I think
he’d still approve it as an extension of the book. It’s
good to see that science fiction can still use it’s brain.
respond to jon@filmbrats.com
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