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Behind The Screens

by Jon Waterman
Volume 1, Issue 2
Volume 1, Issue 1
Special Features
D-VHS
Digital Projectction vs. 35mm
Multiple DVD Releases

FILMBRATS - REVIEWS

Il Mare (***)
review by Jon Waterman

When Sung-hyun moves into his new house out on the lake, or “Il Mare” as they say in Italian, he finds a Christmas card addressed to him, the new tenant. It was left by Eun-ju, who asks that the new resident forward all her mail. This comes as a shock to Sung-hyun, because he’s pretty sure he’s the first tenant. Not only that, but it’s only 1997, not 1999 like the card states. He leaves a response in the mailbox attempting to straighten out the confusion, and the two begin corresponding with each other. The slowly sort everything out and discover that somehow they are in fact living two years apart, and they may just be falling for each other.

The film takes quite a while for the story to really get rolling. It’s easy to understand their disbelief and apprehension, considering time travel is possible neither in real life, nor within the constructs of this movie. Or at least so they think…. So, the first half or so is spent watching them try to figure out what we, the audience, knew going in. It takes even longer for them to really start developing feelings for each other, something we, the audience, expect and nearly need to have happen sooner. The main reason for the delay on the latter is that Eun-ju is still hung up on her cheating ex-boyfriend. For some reason, whenever she feels like she might be ready to get over the jerk, something new comes along to remind her of the good times and Sung-hyun is left with stronger, unreciprocated emotions. Oh, and a two year time difference.

A movie like this can only work if the guy is living in the past. Think about it, if you’re a single guy and a hot girl comes up to you with some seemingly inane story about how a magical mailbox will help you form a relationship two years from now, you’d probably go with it, just because she’s hot. If you’re a girl and guy comes up and tells you the exact same story, you’d probably give him credit for creativity, but still break out the mace. So, they have to correspond and arrange to meet two years from Sung-hyun’s present time. This guy does a lot for this girl. He goes back and retrieves stuff that she lost and runs errands and all that kind of good stuff. Talk about whipped. And he’s never even met her!

Now, once it gets moving in full force, it’s an effective tale of unrequited and unredeemable love. It’s shot well for the most part, although occasionally the poor camera work overshadows the purpose of the more dynamic shots. I’m glad they kept some of the major plot points hidden, because it adds a nice touch helps to make the ending that much more effective. Speaking of the ending, you can’t expect it to perfectly make sense, no matter which way you slice it. It’s just not possible, but considering the premise they’re using, I can’t imagine a better one. It may take a while to get going, but this film proves that love can stand the test of time…at least for two years.

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