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Behind The Screens

by Jon Waterman
Volume 1, Issue 2
Volume 1, Issue 1
Special Features
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FILMBRATS - REVIEWS

Golden Balls (1/2 star)
review by Jon Waterman

Benito has a dream. I’d call it the American dream, but he’s in Spain, so I won’t. But the same concept applies. He’s looking for massive wealth and power. For a while, he’s all talk. That is, until he finds out that his best friend is sleeping with his girlfriend. He disowns both of them and with nothing left to lose, he dives head first into his newly formed business. Soon, he’s making deals and becoming the biggest real estate developer the country has seen looking to build the tallest building the country has ever seen. In business, you need “Huevos de Oro.”

What an odd, pointless exercise of a movie this is. There’s nothing here of any substance or meaning. There’s also nothing here that allows you to connect with the picture in any way. Benito is a reprehensible, smarmy guy that we are forced to follow around. His self-centered, womanizing, ignorant attitudes are not fun to watch at all. I honestly didn’t care about him enough to enjoy his rise to power or enough to take pleasure in his weak moments. You also can’t build any sympathy for the women in his life, because they’re idiots, too. Who befriends their husband’s mistress within a couple hours of learning of each other to the point where they can share the geometric shapes drawn on their boobs? And who draws geometric shapes on people as a turn on? And who watches this movie and likes it?

And what is going on with the timeline? Time fast-forwards in this thing like nobody’s business, without an inkling that it’s actually happening. It’s almost as if every single cut represents a week or month’s passage of time. A change in scenery could mean years. What this means for us is that we don’t get to see the developments in Benito’s character. He’s just all of a sudden a new person, whether that means he’s more business savvy, bitterer, more desperate, etc. We miss out on watching him grow, which makes us less involved in his life and thus the picture.

The movie is strange. Benito is a very quirky character that has a lot of potential. Unfortunately, we’re not allowed inside his mind. So that makes him shallow (and so are the rest of the characters). If we wanted to watch shallow people live, we wouldn’t watch movies. There’s really nothing good I can say about this movie, except that it’s not god-awful. I have seen worse. It’s just that like Benito, this film has no redeeming qualities.

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