The Fog
of War (****)
review by Jon
Waterman
Former Secretary of Defense Robert McNamara sits down to discuss
his tenure with documentary director Errol Morris. McNamara
describes the various lessons he’s learned about business
and war during the tense times in which he presided. Being
a key player in the Cuban missile crisis and the majority of
the Vietnam War and part of the Cold War, he’s worked
with many different leaders around the world and domestically.
He’s learned his lessons and willing to take credit for
the bad and the good.
McNamara gives us great insight into how he dealt with the
problems of the day. He speaks in a very intelligent, concise
and logical manner. You can tell he’s learned a lot over
the years and through the harrowing experiences he helped manage.
What is amazing is his willingness to talk so candidly about
what could be perceived as sensitive material. He clues us
in on just how close of a call the missile crisis truly was
and even on how the Vietnam War might have been prevented.
This once controversial official talks succinctly and honestly,
in order to aide the populous’ understanding of the complexity
of politics and the importance of applying historical lessons
learned.
In addition to the fascinating content of the interview, Morris
has a very distinct style to his films. The most obvious aspect
is the subjects look directly into the camera. Not only does
it connect more personally to the audience, but also you get
a better sense of their internal character and emotions. It’s
easier to read their eyes and body language, since it’s
more conversational. Another welcomed standard of his are the
great supporting visuals. Morris is not content to shoot just
the interview. He uses archival footage and audio recordings
to increase the credibility of McNamara’s claims. He
also works with great cinematographers Robert Chappell and
Peter Donahue to produce supporting visuals that either reenact
moments or place the ideals in metaphorical context. We also
get a typically hokey, yet surprisingly appropriate score – this
time by Phillip Glass. The result is a characteristic Errol
Morris film that is enthralling, informative and assuredly
his own.
It struck me to see this man whose will and determination
had to be so strong and rigid, sitting down and looking directly
into the camera. He appeared fragile and beaten. We’re
taught to respect our elders and learn from their wisdom, but
how many of us actually take the time to do so? In his face
and his responses there’s almost a desperation coming
out for someone to listen and take advantage of his many tense
experiences. For most of us watching the film, we won’t
get much chance to apply these lessons to better our nation,
but at least we can look for elected officials that embody
these qualities.
respond to jon@filmbrats.com
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