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Behind The Screens

by Jon Waterman
Volume 1, Issue 2
Volume 1, Issue 1
Special Features
D-VHS
Digital Projectction vs. 35mm
Multiple DVD Releases

FILMBRATS - REVIEWS

Brick (***1/2)
review by Jon Waterman

High school student Brendan stands next to the body of his ex-girlfriend Emily and immediately knows she was murdered. Haunted by her last phone call in which she seemed to reach out for help, and by residual feelings of love as well as remorse about how the relationship ended, Brendan takes it upon himself to not only find Emily’s killer, but also hopefully dismantle the teenage drug ring she fell into. Before he purposefully made himself an outcast, but now he must introduce himself to old contacts and make new friendships with anyone that could help him along his way. There’s only one person he can trust, a fellow student known as The Brain. Armed with that research and intelligence, Brendan takes his determination to the streets just hoping the path he’s forcing himself to go down doesn’t get him killed. And you thought your high school days were tough.

I’ll tell you what, if the studio system still worked like it used to, I’d have to say that Joseph Gordon-Levitt (Brendan) made a strong case for himself to be type-cast in a slew of sleuth flicks. He may not have anything close to the rugged appearance or name (or hat) of say a Humphrey Bogart, but the character put forth on the screen is no “Angel in the Outfield.” And sixty years ago, this character would be ideal for a great series of films. JGL surprises us with his toughness as well as his ability to take what appears to be a monotone, dry delivery and mold it ever so slightly to fit whatever situation he’s facing. His character is a powerful one that you quickly learn not to underestimate, even though his confidence always exudes the tiniest bit of “I hope this works the way I think it will.”

The only thing I had a tough time believing was the high school setting. Maybe it’s because I went to public school (where there were most likly much less sophisticated drug rings), or maybe just because I see how the general population seems to be getting stupider by the second, but it’s hard to swallow that such young kids can be so organized, so maniacally clever, so quick witted, and so resourceful. But if it’s hard to swallow, they can find other ways to get it in your system, and it really is an easy thing to get over. The story is so strong and captivating, the dialogue so unnatural and fast that it doesn’t matter how old the person is that’s telling it. It’s just fun to watch the mystery unfold before your eyes. This could have been an all-toddler cast and I still would have felt immersed. Do I smell “Baby Geniuses 3?”

With all the crap that’s been released in theaters lately, both from major studios and independents, we need more movies like this. I’m not just talking about more noir or more mystery. I mean films that are not only fun, but intelligent while not being completely off-putting or inaccessible. It’s a rare mix, and much easier said than done, but it used to happen a lot more frequently just a couple years ago. Maybe Brendan’s next case should be finding who or what killed the good independent filmmakers.

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