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Behind The Screens

by Jon Waterman
Volume 1, Issue 2
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FILMBRATS - REVIEWS

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (****)
review by Jon Waterman

Borat, a television personality in Kazakhstan, is asked by their government to travel to the United States. His purpose is to study, and document on film, what makes America so great. Borat fully intends to carry out his assignment, until he sees an episode of Baywatch in his hotel room. He instantly falls in love with CJ (aka Pamela Anderson) and makes it his new mission to travel to California in order to seek her out and make her his bride.

Half narrative. There’s no hiding the fact that most of this stuff is made up. As much as Sacha Baron Cohen would like to make us all believe that Borat is a real person by conducting tons of promotional interviews as the character he made famous on his brutally hysterical series “Da Ali G Show,” the situations and camera coverage is simply a little too polished to be anything but fake. The good news is that doesn’t matter one bit. Luckily the team of accomplished British comedy writers (Cohen, Anthony Hines, Peter Baynham and Dan Mazer) does a great job of taking a 90% improvisational entity and giving him a fun and interesting narrative thread. Borat’s been given an accomplice in Azamat (played by Ken Davitian), and the back and forth between the two lends what is probably a much needed helping hand in keeping things going in between the interview segments.

Half documentary. Even though Borat is fake and he has something of an idea as to which bus he’s going to throw his subjects under, I certainly still consider the interviews documentary. The participants are left completely out of the joke and as such make for a series of amazingly funny social experiments. Half the humor comes from the incredibly awkward questions that Borat asks, and the other half comes from the equally awkward, sometimes surprisingly open responses the unwilling respondents give. He’s somehow able to bring out the…in people. Here I could say “the worst” because Cohen manages to loosen people up to the point where they openly make racist, sexist and other forms of bigoted comments. It’s sad to think that our country is so naïve and stupid, but unfortunately not too shocking. I could also say “the best” because all that open hate, mixed in with pure confusion and dumbfounded-ness is what makes the movie so enjoyable and funny.

All hilarious. There’s no doubt this is the funniest movie of the year. With two parts brilliant social satire and one part crude gross out moments, this film is the perfect blend of pure comedic pleasure. It’s astounding to see how quickly Cohen thinks and responds to his interviewees with outright hilarious questions and comments without ever breaking character. It’s equally amazing that they never seem to catch on. It would have been pretty easy for this film to have turned out poorly. But the funny, smart storyline thread that holds the “reality” parts together make the movie a great success. The only downside is that there is little to no possibility for a sequel, because the chicken is out of the bag now.

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