Batman
Begins (***)
review by Jon
Waterman
As a young boy, Bruce Wayne witnessed the murder of his parents
in one of the many dank alleys of Gotham City. Since that moment,
he has been determined to train in multiple arenas and become
a multi-faceted warrior. His goal is to exact revenge on not
only the man who killed his father, but also to put fear in
the hearts of all of the city’s lowlifes. He’s
studied with the best and he’s ready to hit the streets.
Armed with all the money he needs, thanks to inheriting one
of the world’s largest corporations, cool toys and gadgets,
thanks to the research and development department of said company,
and those combat skills, all he needs to take on those nasty
villains is an identity, a symbol that he can embody that instills
terror. Hmmm…what should it be…?
I don’t want to ruin anything for you, but……..it’s
a bat. I know, no big surprise there. In fact, the whole thing
is rather void of true suspense or bombshells. The problem
is that the story of Batman has permeated our culture so deeply
that most of the people know the vital plot points going in
to the picture, or if not, then can figure them out pretty
quickly. It becomes pretty similar to watching “Star
Wars: Episode III” in that you want to see how those
benchmarks are hit and how the filmmakers hit them. In this
case, they do a damn good job. Not perfect, but damn good.
Director/Co-Writer Christopher Nolan (“Memento,” “Insomnia”)
brings this series back to that accessible level of darkness
that left when Tim Burton did. This city looks like a crooked
place to live and work. But although that atmosphere comes
across, it’s still a little too subtle. So much time
is devoted to telling Bruce’s story that Gotham doesn’t
get the time necessary to develop as a character. Co-Writer
David S. Goyer, the go to guy for comic based movies (“Blade,” the
upcoming films “Ghost Rider” and “The Flash”),
avoids making the whole thing cheesy and lame and he’s
able to balance solid entertainment value for the plebeians
with treating fanboys to some teasers and a mix of references
to their favorite graphic novels.
That doesn’t mean the film isn’t flawless. Despite
all the good elements of the story, the script suffers from
an inordinate number of called back lines – lines that
one character says to another only to have it thrown back in
his face verbatim later on. I swear there must have been something
like five of these in a row near the end. It was ridiculous
and painful. The cutting of the action sequences went way too
quickly. If I could actually see the fights from a little bit
of a distance, so I could tell what was going on, then maybe
I’d enjoy them more. Rapid cuts showing extreme close-ups
of flailing body parts doesn’t do the trick. The main
problem, however, is that the movie just didn’t grab
me. There was plenty of action and Wayne’s training was
sort of cool, but it was tough to get fully invested in what
was on the screen. “Batman Begins” is a fine film,
but it lacks a certain intangible element that would truly
make it great, but I’m a jaded film critic. I know the
kids will love it.
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