That picture of Ebert on the front page is a watershed moment in film history. It's this country's first recognition of Andrez Vamitof's now internationally infamous triangular frame. Though virtually unheard of in this country, filmmakers in Austria, Germany, and all over Europe are experimenting with how to best use this breakthrough framing, trying to create a film that does what Lawrence of Arabia did for the wider screen formats.

What the hell is he doing in that picture?